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Home > Hehe Culture

"The Two Immortals of Hehe"

Updated:2023-03-20 | By:The Academy of Contemporary China and World Studies

"The Two Immortals of Hehe"

Hehe is one of the good wishes of the Chinese people. For the ancient Chinese, it was mainly emobodied in their expectation of a happy marriage. Hence, the God of Hehe finally evolved to become the God of Marriage. In marriage, the most important thing should be the harmony and union of the couple, so the image of the Immortal of Harmony (和圣) and the Immortal of Union (合圣) gradually took shape. Around the middle of the Ming Dynasty (1368-1644), the two immortals became a symbol of the God of Hehe, as the image of immortals in pair was more persuasive in regard of marriage. It was also a more accurate and refined expression of the Chinese people's faith.  

In Chinese history, the most influential image of the Two Immortals of Hehe should be Han Shan and Shi De (dates unknown) in the Tiantai Mountains. They were typically depicted as two smiling boys: one holding a lotus flower (meaning "harmony") and the other holding a box (meaning "union"). Depictions of them could be found during various traditional festive occasions. The ancient Chinese buildings in the south of the Yangtze River also used their paintings as decorations, manifesting the people's longing for harmony and union. In 1733, the 11th year in the reign of Emperor Yongzheng (1678-1735) of the Qing Dynasty (1644-1911), the emperor ordered that Han Shan be canonized as the Immortal of Harmony and Shi De as the Immortal of Union, thereby establishing their official status as the Two Immortals of Hehe. 

“和合二圣”

和合是中國(guó)人民的一種美好愿望。這種愿望對(duì)于中國(guó)古代百姓來(lái)說(shuō),集中表現(xiàn)在對(duì)婚姻和合的期待,由此,和合神也就成為了中國(guó)人婚姻保護(hù)神。然而婚姻是男女雙方的和合美滿(mǎn),“和合二圣”的形象由此而逐漸形成。大概從明代中期開(kāi)始,“和合二圣”成為和合神的象征。成對(duì)出現(xiàn)的形象更加有說(shuō)服力,這可以視為民眾信仰生活準(zhǔn)確化、細(xì)致化的一種表達(dá)。

在中國(guó)歷史上,最具影響力的“和合二圣”形象,是來(lái)自天臺(tái)山的寒山和拾得。舊時(shí)的喜慶與節(jié)日?qǐng)龊现型梢?jiàn)和合神的身影,其形象大都為兩個(gè)蓬頭笑面的童子,一人持荷,一人捧盒,寓意和合美滿(mǎn)。在江南傳統(tǒng)的建筑中,也時(shí)常以“和合二圣”的圖案呈現(xiàn)其中,表達(dá)出民眾對(duì)于美滿(mǎn)生活的期望。雍正十一年(公元1733年),雍正帝敕封寒山為“和圣”,拾得為“合圣”。寒山、拾得作為“和合二圣”的文化形象由此得以確立。

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